What does Orsino admit about men and love?
Orsino assumes (or pretends to assume) "Cesario's" in love with an older woman, so he tells "Cesario" it's not a good idea for men to marry older women. "Cesario" should marry a sweet young thing because women age fast, which makes them less attractive to their husbands.
Orsino insists that women cannot love as strongly as men. Viola/Cesario again argues, telling him the story of her 'father's daughter' who loved a man with a great passion but 'never told her love'.
Virtually Orsino states that women do not have the ability to love as men do. Viola defends her sex valiantly, saying she knows well the love women feel and the capacity of the female heart. Viola states that male and female hearts are equal in loyalty and sensitivity (II. iv.
Orsino advises Viola/Cesario on the matter of love and tells her that women are only good lovers and partners if they are younger than the man. He also says that women don't stay beautiful for long, 'For women are as roses, whose fair flower, Being once display'd, doth fall that very hour.
Orsino is in love with the idea of being in love and is depressed about this, so when he says "if music be the food of Love play on" (Act 1 Scene 1) He is trying to cure his depression, and Shakespeare uses a metaphor about feeding love, that refers back to the "food of love".
Orsino also makes a pertinent comment about the relationship between romance and imagination: “So full of shapes is fancy / That it alone is high fantastical” (I.i. 14–15 ).
How does Duke Orsino characterize love? Duke Orsino says "If music be the food of love, play on." Love is painful to bear, vivid, and fantastical. Why does Olivia veil herself and avoid society? Olivia veils herself for 7 years in honor of her deceased brother, she is in mourning over him.
Orsino describes how he fell in love with Olivia. He compares himself to a deer being hunted by hounds to describe how painful and stressful he finds it to love a woman who does not seem to reciprocate his feelings. The line shows Orsino's tendency to be melodramatic and focus on himself.
sickening," and "dying fall," words which show the duke to be sentimentally in love with love. He has seen Olivia, and the very sight of her has fascinated him to such an extent that his romantic imagination convinces him that he will perish if she does not consent to be his wife.
1.153) The difference between Orsino and Olivia in their approach suggests that Orsino's love is more self-oriented as he is determined to have his way regardless of the other party's feelings. Olivia seems able to remember that Cesario is an independent being, showing that her love involves less objectification.
How does Viola indirectly tell Orsino her love?
Viola tells Orsino that the person whom she loves is like Orsino in age and appearance; Orsino responds that Viola/Cesario has terrible taste in lines 30-40. This increasingly fraught conversation is interrupted when Feste arrives to sing his song.
Orsino is in love with the Countess Olivia, and sends Viola to court her for him, but Olivia falls for Viola instead. Sebastian arrives, causing a flood of mistaken identity, and marries Olivia. Viola then reveals she is a girl and marries Orsino.
Orsino wants to make very clear that he loves Olivia for herself and not for her wealth. Orsino comes across as dramatic, suggesting he will hurt Cesario because Olivia loves him.
Orsino is impressed by Viola's courage and intelligence, especially once he learns she's a woman of nobility.
He loves Olivia only because she is the perfect romantic character for his personal tale: she doesn't return his feelings, so the Duke considers that he just has to try harder. The fact that Olivia is in mourning and doesn't want any relationships right now doesn't stop him.
Every major character in Twelfth Night experiences some form of desire or love. Duke Orsino is in love with Olivia. Viola falls in love with Orsino, while disguised as his pageboy, Cesario. Olivia falls in love with Cesario.
Love as a Cause of Suffering
Twelfth Night is a romantic comedy, and romantic love is the play's main focus. Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain.
What kind of a lover does Orsino classify himself as - act 2, scene 4? Orsino classifies himself as a "true lover."
Is it entirely true that the Duke is "in love with love"? No, it is not completely true because the Duke is clearly in love with Olivia, a specific person.
The play's opening speech includes one of its most famous lines, as the unhappy, lovesick Orsino tells his servants and musicians, “If music be the food of love, play on.” In the speech that follows, Orsino asks for the musicians to give him so much musical love-food that he will overdose (“surfeit”) and cease to ...
What does Orsino say is the food of love?
Orsino begins: If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die.
Throughout the play Duke Orsino constantly professes his love for Olivia. In doing so, however, he sounds more in love with the idea of love than he is with Olivia. In the end, he realizes that he truly loves Viola, not Olivia.
This quote in context reveals much about Orsino's love and character. He's a young man, in love, and unable to deal with his emotions. Through these lines, Orsino is expressing his hope that through an overabundance of music, he might get sick and be turned off of his love.
He loves her but she loves him not.
Cesario tells Olivia that Orsino loves her. Olivia doesn't love him but begins to fall in love with Cesario. To ensure that she sees Cesario again, Olivia asks Malvolio to deliver a ring tto Cesario under the pretense that it is a gift from Orsino that she wants returned.
She denies Orsino because of her refusal to marry a man of higher rank and desires to marry Cesario because he is a man of lower rank. Olivia wants to give the impression that her mourning of her brother's death doesn't allow for the admittance of suitors.
She, madly in love with Viola/Cesario, has married Viola's twin Sebastian in an extreme case of mistaken identity. Orsino, still suffering from unrequited love for the countess, and outraged by what he perceives as Cesario's disloyalty, threatens to kill 'him' (lines 119-134).
While working for Orsino, however, Viola falls in love with him, but must hide her feelings in order to protect her new identity and because Orsino is in love with another woman named Olivia. The play deals with ideas of social class, sexuality, and gender, and comments on the roles of these factors in relationships.
Orsino is the first character to appear on stage. He is the Duke of Illyria and is hopelessly in love with Olivia. His opening line If music be the food of love play on introduces the main themes of the play and has become one of the most famous lines of Shakespeare.
Shakespeare pokes gentle fun around them and their attitude to love. Viola falls in love with Orsino at first sight, as well as Olivia with Cesario, Sebastian with Olivia.
Both the Twelfth Night and She's the Man have several similarities such as: same concept, same basic plot, character relationships, and character names. For instance, in both the film and play viola pretends to be a male, but for different purposes.
What does Orsino do when he realizes the true identity of Viola?
Once Viola reveals that she's really a woman, Orsino reciprocates her affection, proclaiming that she shall be his wife.
In She's the Man, she's an ordinary high school girl who Duke Orsino has a huge crush on. In both, Olivia ends up kissing Sebastian/Cesario. In Twelfth Night, she didn't want to date anyone because she was grieving for her brother and father, but in She's the Man it was because she had a bad relationship.
Orsino describes how he fell in love with Olivia. He compares himself to a deer being hunted by hounds to describe how painful and stressful he finds it to love a woman who does not seem to reciprocate his feelings. The line shows Orsino's tendency to be melodramatic and focus on himself.
He is handsome, brave, courtly, virtuous, noble, wealthy, gracious, loyal and devoted — in short, he is everything a young lady could wish for in a husband. This is ultimately what makes it believeable that Viola does fall in love with him immediately.
Viola tells Orsino that the person whom she loves is like Orsino in age and appearance; Orsino responds that Viola/Cesario has terrible taste in lines 30-40. This increasingly fraught conversation is interrupted when Feste arrives to sing his song.
Orsino is impressed by Viola's courage and intelligence, especially once he learns she's a woman of nobility.